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To soothe the savage beast
"In all modern cities," Thomas explains, "we find wild creatures living in close proximity to mankind. In Miami, alligators pop up all the time on golf courses and in swimming pools; in Santa Fe, where I composed most of this piece, bears wander into densely populated areas; coyotes now inhabit many of our cities. Legends have sprung up around such creatures, and I imagined how, in the future, they might develop into mythic beasts, roaming the cities with their own habits and ranges. "I also thought of the animals that now really do exist in our cities; when you see them, they are so wily and stealthy, on the one hand furtive, on the other very confident, even aggressive. But what must their perspective be on humans and our civilizations? For them, much of what we are must be the noise we produce: car horns, sirens, industrial sounds, talking, singing, partying. I wanted the contrabassoon to be the composite voice of the 'wild' creatures, both real and imagined a voice that, when provoked, emits cries of warning, and in its solitude laments the vanished primeval environment." |
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